Sunday, January 8, 2012

The Raven


Once upon a midnight dreary, while I pondered weak and weary,
              Over many a quaint and curious volume of forgotten lore,
              While I nodded, nearly napping, suddenly there came a tapping,
              As of some one gently rapping, rapping at my chamber door.
              "'Tis some visitor," I muttered, "tapping at my chamber door --
                    Only this, and nothing more."

              Ah, distinctly I remember it was in the bleak December,
              And each separate dying ember wrought its ghost upon the floor.
              Eagerly I wished the morrow; -- vainly I had sought to borrow
              From my books surcease of sorrow -- sorrow for the lost Lenore --
              For the rare and radiant maiden whom the angels named Lenore --
                    Nameless here for evermore.

              And the silken sad uncertain rustling of each purple curtain
              Thrilled me -- filled me with fantastic terrors never felt before;
              So that now, to still the beating of my heart, I stood repeating
              "'Tis some visitor entreating entrance at my chamber door --
              Some late visitor entreating entrance at my chamber door; --
                    This it is, and nothing more,"

              Presently my heart grew stronger; hesitating then no longer,
              "Sir," said I, "or Madam, truly your forgiveness I implore;
              But the fact is I was napping, and so gently you came rapping,
              And so faintly you came tapping, tapping at my chamber door,
              That I scarce was sure I heard you" -- here I opened wide the door; --
                    Darkness there, and nothing more.

              Deep into that darkness peering, long I stood there wondering, fearing,
              Doubting, dreaming dreams no mortal ever dared to dream to dream before;
              But the silence was unbroken, and the darkness gave no token,
              And the only word there spoken was the whispered word, "Lenore!"
              This I whispered, and an echo murmured back the word "Lenore!"
                    Merely this and nothing more.

              Back into the chamber turning, all my soul within me burning,
              Soon again I heard a tapping somewhat louder than before.
              "Surely," said I, "surely that is something at my window lattice;
              Let me see then, what thereat is, and this mystery explore --
              Let my heart be still a moment and this mystery explore; --
                    'Tis the wind and nothing more!"

              Open here I flung the shutter, when, with many a flirt and flutter,
              In there stepped a stately raven of the saintly days of yore.
              Not the least obeisance made he; not an instant stopped or stayed he;
              But, with mien of lord or lady, perched above my chamber door --
              Perched upon a bust of Pallas just above my chamber door --
                    Perched, and sat, and nothing more.

              Then this ebony bird beguiling my sad fancy into smiling,
              By the grave and stern decorum of the countenance it wore,
              "Though thy crest be shorn and shaven, thou," I said, "art sure no craven.
              Ghastly grim and ancient raven wandering from the Nightly shore --
              Tell me what thy lordly name is on the Night's Plutonian shore!"
                    Quoth the raven, "Nevermore."

              Much I marvelled this ungainly fowl to hear discourse so plainly,
              Though its answer little meaning -- little relevancy bore;
              For we cannot help agreeing that no living human being
              Ever yet was blessed with seeing bird above his chamber door --
              Bird or beast above the sculptured bust above his chamber door,
                    With such name as "Nevermore."

              But the raven, sitting lonely on the placid bust, spoke only
              That one word, as if his soul in that one word he did outpour.
              Nothing further then he uttered -- not a feather then he fluttered --
              Till I scarcely more than muttered "Other friends have flown before --
              On the morrow will he leave me, as my hopes have flown before."
                    Then the bird said, "Nevermore."

              Startled at the stillness broken by reply so aptly spoken,
              "Doubtless," said I, "what it utters is its only stock and store,
              Caught from some unhappy master whom unmerciful Disaster
              Followed fast and followed faster till his songs one burden bore --
              Till the dirges of his Hope that melancholy burden bore
                    Of 'Never-nevermore.'"

              But the Raven still beguiling all my sad soul into smiling,
              Straight I wheeled a cushioned seat in front of bird and bust and door;
              Then, upon the velvet sinking, I betook myself to linking
              Fancy unto fancy, thinking what this ominous bird of yore --
              What this grim, ungainly, gaunt, and ominous bird of yore
                    Meant in croaking "Nevermore."

              This I sat engaged in guessing, but no syllable expressing
              To the fowl whose fiery eyes now burned into my bosom's core;
              This and more I sat divining, with my head at ease reclining
              On the cushion's velvet violet lining that the lamp-light gloated o'er,
              But whose velvet violet lining with the lamp-light gloating o'er,
                    She shall press, ah, nevermore!

              Then, methought the air grew denser, perfumed from an unseen censer
              Swung by angels whose faint foot-falls tinkled on the tufted floor.
              "Wretch," I cried, "thy God hath lent thee - by these angels he has sent thee
              Respite - respite and nepenthe from the memories of Lenore!
              Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!"
                    Quoth the raven, "Nevermore."

              "Prophet!" said I, "thing of evil! -- prophet still, if bird or devil! --
              Whether Tempter sent, or whether tempest tossed thee here ashore,
              Desolate yet all undaunted, on this desert land enchanted --
              On this home by Horror haunted -- tell me truly, I implore --
              Is there -- is there balm in Gilead? -- tell me -- tell me, I implore!"
                    Quoth the raven, "Nevermore."

              "Prophet!' said I, "thing of evil! -- prophet still, if bird or devil!
              By that Heaven that bends above us -- by that God we both adore --
              Tell this soul with sorrow laden if, within the distant Aidenn,
              It shall clasp a sainted maiden whom the angels named Lenore --
              Clasp a rare and radiant maiden, whom the angels named Lenore?"
                    Quoth the raven, "Nevermore."

              "Be that word our sign of parting, bird or fiend!" I shrieked upstarting --
              "Get thee back into the tempest and the Night's Plutonian shore!
              Leave no black plume as a token of that lie thy soul hath spoken!
              Leave my loneliness unbroken! -- quit the bust above my door!
              Take thy beak from out my heart, and take thy form from off my door!"
                    Quoth the raven, "Nevermore."

              And the raven, never flitting, still is sitting, still is sitting
              On the pallid bust of Pallas just above my chamber door;
              And his eyes have all the seeming of a demon's that is dreaming,
              And the lamp-light o'er him streaming throws his shadow on the floor;
              And my soul from out that shadow that lies floating on the floor
                    Shall be lifted -- nevermore.

I was originally assigned to read this poem in 6th grade and it was the first Poe poem I had ever read. At that age, I had no idea what this piece was about. Yet, the poem had such an ominous tone that I was frightened by it. It was one of the first poems I had been truly affected by (perhaps because all I had read up to that point was Shel Silverstein). I chose this poem because I wanted to learn more about it. Turns out, there's a lot more to it than just a scary story. Poe wrote this during the time that his wife was dying of Tuberculosis, and it reflects his struggle with her imminent death. He uses a number of literary devices in the piece to convey his message:

Alliteration:
 “silken sad uncertain rustling” (13)
“So that now, to still the beating of my heart, I stood repeating” (15)
- Poe uses a lot of sharp or hissing consonants in the poem. (i.e. no d’s or b’s or f’s or the like) to make the poem dark, eerie, and ominous. He emphasizes these consonants through alliterations that really convey the dark tone of the piece.

Assonance:
“It shall clasp a sainted maiden” (94)
"prophet!" said I, "thing of evil! -- prophet still, if bird or devil!" (85)
The second example clearly shows Poe's use of assonance to create a particular mood. By using a short "i" sound (prophET, evIL, prophET, stILL, IF, BIRD, deVIL), he creates a discontinuous, almost broken sentence that creates an uncomfortable, depressive mood. 

Allegory:
“Perched upon a bust of Pallas just above my chamber door” (41)
- Pallas Athena, the Goddess of wisdom, is used here to illustrate the author’s belief that the raven was speaking from knowledge and not repetition. Thus leading him to anguish, and eventually self realization, that his Lenore is gone forever. 

8 comments:

  1. I have not read the Raven before but I have heard of it so it's good to get that poem checked off the list.
    Sean's insight into Po's background when he was writing this poem is really interesting and helps me understand the meaning better. It is a highly ominous poem and the raven seems like a wise but terrifying and repulsive bird.
    In the 13th stanza Po writes "But whose velvet violet lining with the lamp-light gloating o'er,/She shall press, ah, nevermore!" I believe he is referring to his wife here (but not with the specific intention of the reader knowing its his wife) and he is voicing the thoughts that plague him because of her imminent death. I think it would be something very relatable for people who went through, or are going through, similar situations. The small but powerfully saddening thoughts that you'll never hug your dying loved one again or laugh with them or sit on this velvet couch with them. The ominous poem and the story behind Po's experience writing it makes me very empathetic to him and how scary that time must have been for him.

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  2. I also read this poem in middle school, but had not completely understood it at that time either. I think what had been most obvious to me was that the raven, who seems to bring this ominous tone which both Sean and Marianna refer to, was a symbol foreshadowing the coming death. It is interesting how Poe combines the image of the Crow with that of the Shadow. He writes, "And the lamp-light o'er him streaming throws his shadow on the floor; And my soul from out that shadow that lies floating on the floor". His "soul" is reflected in this imagery as he bears the weight of his wife's sickness and must live on with her foreboding death always worrying his mind, just as the crow stays positioned above his chamber door. It is almost as if the chamber is a symbol of his soul, ladden with the burden of a dark and looming death. I have always liked the way Poe writes, cleverly narrating the dark and usually dreadful stories. It seems this poem is another of his narrative poems, and yet, it almost seemed to have the essence of a lyric poem as I read it.

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  3. I picked this poem for people to comment on as well (oops) hopefully its not too repetitive

    The reason why I picked this poem for my blog besides it being Poe's most famous poem is because of the tone and rhyming. The tone of this poem is dark and melancholy. The repetition of the word "nevermore" takes away hope every time it is said. I also like the rhyming in this poem, there is a beat to it that keeps the reader interested throughout the entire poem. Like Kate said, is seems to be a lyric poem because of the continuous rhythm.

    When I was doing research on this poem, I came across a website that said in the early stages of this poem, Poe had the raven as a parrot instead. I'm mentioning this because I think that if Poe kept the bird a parrot, there would be a very different feel to this poem. A raven symbolizes a bad omen. On the other hand, when I think of a parrot, I think of a playful bird. Just thought that was interesting!

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  4. I have 2 friends who, while in middle school, memorized this entire poem. I always thought they were a little nuts for it, but after actually reading it, they seem slightly less insane. Although I don't think I understand the whole poem, just the way it's written left me with a, "well, I'm not entirely sure what just happened, but I liked it" sort of feeling. Poe has an incredible way about his writing that lets leaves you with an appreciation for what you just read, regardless of whether or not the meaning was clear.

    From reading the poem this time, I felt it expressed the reader's stages of grief in a particularly interesting way. The poem starts out with the speaker somewhat innocently looking for a person outside his door, only to find "darkness, nothing more." As it the "darkness" is exposed to be a raven, I felt it could indicate his previous expectation for his wife to always be alive and with him turning into the realization that only darkness will remain when she is dead. With this change in his perception, a foreboding sense is given off as the idea of death enters the speaker's soul "nevermore."

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  5. Like a couple others, this is my first time reading The Raven as well despite its popularity.
    At first, because of the rhyme scheme and repetition (that Michaela mentions), I thought that it was just a scary story that Poe wrote for entertainment, but after learning the background of this poem, I now realize how serious and important this poem is to him. All the confusing and sorrowful emotions that he must have felt at the time really are brought out through his words, which may be why The Raven has become such a successful and famous work.
    After thinking about Michaela’s point about the parrot, my guess on why he started out with a parrot is because it is the only animal that can imitate human speech, so it would make the poem seem more realistic. However, substituting the parrot with a raven makes the poem more eerie, bizarre, and nightmarish – almost as if this is all a dream.
    I agree with Sean’s point that the raven constantly repeating “nevermore” does emphasis the inevitable closure of death; furthermore, he makes it personal by writing his wife’s name in it, specifically making it about her imminent death.

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  6. This was also my first time reading The Raven. I'm glad that I read it having this background information on Poe because I never knew too much about him aside from his poetry being sometimes depressing and dark. Having a more detailed background allowed me to understand the source of the darkness. Ji kind of got into this when she talked about death and the mentioning of his wife's name in it. I thought that Michaela's comment on the parrot was really interesting. I believe that it was wise of Poe to use the raven instead because it gives a different tone to the poem which may have been lost having used a parrot. The utilization of the raven better serves his intentions with this poem because it creates the eerieness and makes it therefore easier for the reader to imagine the prescence of death throughout the poem.

    Similar to Leah, I read this poem not fully understanding what I had just read. The rythm in the poem and the rhyming make it easy to read but once you get to the end, or at least for me,I felt the need to go back and think more about it because it was easy to get through. As Sean mentioned, the alliteration really plays into the eerieness of the poem. Overall, I really enjoyed reading this poem.

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  7. Although I have heard of this poem in passing before I have never spent the time to analyze the meaning behind it. I have definitely always associated scary stories and darkness with the poet Edgar Allan Poe, he almost seems to be synonymous with that genre. Through the literary devices Sean pointed out, Poe actively embeds his personal style within this poem. The raven that appears in the plot of the poem carries a grandiose aura that lurks over the speaker, to me it seems almost like an extension of nature. When the speaker shouts, 'Tis the wind and nothing more!" I feel like he is attempting to fool himself and avoid the ultimate confrontation of man and nature. But in the end he must face the unavoidable conflict played out with the raven.

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